(English is belowed)
最近翻照片翻到了2017年,我最愛的鼓手 Antonio Sánchez 帶著他的樂團 Migration 來台灣 河岸留言 演出,想起了之前我曾經翻譯過他的DVD "Master Series"的一段話,非常感動且給我很大的能量,但之前有被盜過帳號都不見了,於是決定再找出來聽打一次重新翻譯分享給大家。
也再次謝謝 河岸留言可以邀請這麼棒的樂團來台灣!!
如果不知道Antonio Sanchez是誰的,他是Pat Metheny band的鼓手,葛萊美獎得了好幾座,同時已經得了奧斯卡等N個獎項的電影 Birdman 「鳥人」,這部整部電影配樂只有鼓聲,所有鼓也都是他錄的。
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一些來自 Antonio Sanchez 對鼓手們的金玉良言 (出自他的 “Master Series” DVD )
最後一點我想要說的是,許多關於跟音樂以及音樂家共事的態度。
嗯,當我還在成長時,我總是夢想著可以在很棒、高聳、最大的場館,跟著大型樂團,以及最棒的音樂家們一起演出。 這夢想當然很棒,但你總是要從某些名不經傳的小地方當作你的起點。
突然之間,我意識到我正在小酒吧、小俱樂部、或是某家餐館、某個婚禮場演出 — 而且沒有人在專注聽你演奏,那時我覺得很沮喪而且覺得被冒犯了,舉例來說。我以前做很多婚禮場,而且在上面演奏「熱愛105度C的你」(註一) 上百次,演奏時心裡想「我在這邊銃三小?」、「快讓我離開這吧,殺了我吧,我可以演比這個帥一百倍以上的曲目!」於是,我在演奏時只想打卡下班,就沒有把我的專注放在音樂上面。
又或者某天,我在某間小酒吧演出,正在演奏搖擺樂,或者一些我真的很喜歡的音樂風格,但沒有人在注意聽我們演奏,大家都在看大銀幕上的棒球比賽。 我就想說「好吧,反正沒人在聽,我就把我昨天練功的招式都丟進去音樂吧。」而那時我只是胡亂的丟我練過的招式,並沒有在那個音樂裡面,我也沒有在聽其他音樂家演奏了什麼,不過也許其他音樂家有聽到我做的事情。
後來,當我幸運地得到了更多演出機會,而這些場合開始需要更高的難度,我了解到我的專心程度並不足以支撐這些高強度的場合。
舉例來說,當我在九零年代晚期開始跟Niels Pedersen一起做巡迴,那是個非常高強度的演奏,它是個三重奏,每次演出的晚上,我的腦袋好像快爆炸一樣,因為我並不習慣如此需要長時間專注程度的高難度演出,我才了解到我浪費了太多時間以前演奏的時候沒有把專注力放在音樂上。
我覺得,如果你有兩隻手、兩隻腳、而且可以演奏樂器,你已經夠幸運了。而我認為如果你現在正在某間酒吧、某個餐館、或是某個婚禮場作演出,而你可以把每一場演出當作好像是全世界最棒的演出、在最大、最美麗的場館,跟著最棒的音樂家一起演出,那我認為你正走在對的路上。因為你有把你的心放在音樂裡面,而且你給這些音樂跟音樂家他們所渴望的最棒的尊重,那麼我可以向你保證接下來會有很棒的事情降臨在你身上。
這就是我想說的,非常謝謝你們今晚的蒞臨,希望我們下次可以再見。
註一:原文是說演奏「La Mecarena」,90年代的當紅歌曲。這邊為了年輕讀者,使用較貼近現在的105度C的你。
註二:Niels Pedersen 全名是 Niels-Henning Ørsted Pedersen (N.H.O.P.),是從70-90年代活躍的傳奇的低音提琴手,演奏速度可以超級超級快又具備非常豐富的音樂性。
英文原文,因為是用聽打的,也許有少部分錯誤
Recently I found a picture that my favorite drummer
Antonio Sanchez and his band "Migration" touring in Taipei in 2017. And few years ago I've seen his DVD and felt so inspired from these words. I decided to translate it into Chinese to share with other Chinese drummers.
There's maybe little mistakes because English is not my mother language.
---------------------------------
Some wise words from my all-times favorite drummer Antonio Sanchez from his DVD - "Master Series".
And the last things I wanna said, hmm, has a lot to do with attitude to work with music and musicianships. Hmm, When I was growing up, I was always dreaming of playing in a nice, tall, the biggest stadium and the biggest band with the greatest musicians in this world. And that’s great except that we all have to start somewhere. And I, all of a sudden, I was playing in a little bar, or small pub, or some restaurant, or a wedding where nobody was paying an attention. And I really felt depressed and I felt violated. And for example, I’ve been played for a wedding gig, and I would be playing “La Marcaena” for a hundred times , and I would be like “What am I doing here ?”, “Get me out of here, shoot me, this is not for me, I’m so much better than this !”
And I was not putting my heart into it at all. When the next day, I would play in some small bar, I was playing maybe swing or something that I really like, but nobody was paying an attention. Everybody was looking at the screen, the baseball game. And I would be like “Well, nobody is paying an attention, then I just gonna playing practice whatever I was working on yesterday.” And I was NOT in the moment, I was not listening to what the other guys were playing. And maybe the other guys were listening to me.
So, when I luckily started getting better and better opportunities music-wise, and the situations start getting a little more the manling. I realized that I did not have the concentration I took for me to be able to deal with some of the situations. Uh, for example when I started to play with Niels Pedersen in the late 90s, it was a very tense gig , it was just a trio, and every night I would end would headache , because I was not used to have a lot of concentration and focusing that much, for that amount of time.
I realize that I’ve wasted a lot of time not being into the music not putting my heart into it. Because, I mean I really feel like if a, you have two arms, two legs, and you are able to play , you are lucky already. And I think if you are playing in some small restaurant, or wedding, or whatever. You treat that situation like the best gig in the world in the most beautiful opera house or the biggest stadium, and you treat you felt the musicians like the greatest musicians you could play with. I think you are on the right path. You put your heart into it, and you give the music and musicians the respect they deserved. Then I can assure you really good things are gonna happen to you. So that’s it for me, thank you so much for coming, hope see you next time.
同時也有2部Youtube影片,追蹤數超過58萬的網紅JR Lee Radio,也在其Youtube影片中提到,【寶貝老闆】電影冷知識還有電影配樂 "What The World Needs Now" 的小小英文教學! 訂閱頻道:https://www.youtube.com/jrleeradio 臉書粉專:https://www.facebook.com/jrleeradio 訂閱粉絲專屬內容:https:...
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【寶貝老闆】電影冷知識還有電影配樂 "What The World Needs Now" 的小小英文教學!
訂閱頻道:https://www.youtube.com/jrleeradio
臉書粉專:https://www.facebook.com/jrleeradio
訂閱粉絲專屬內容:https://pressplay.cc/jrlee
instagram : jrleeradio
====================================================
"What The World Needs Now Is Love"
What the world needs now is love, sweet love
It's the only thing that there's just too little of
What the world needs now is love, sweet love
No, not just for some but for everyone
Lord, we don't need another mountain
There are mountains and hillsides enough to climb
There are oceans and rivers enough to cross
Enough to last 'till the end of time
What the world needs now is love, sweet love
It's the only thing that there's just too little of
What the world needs now is love, sweet love
No, not just for some but for everyone
Lord, we don't need another meadow
There are cornfields and wheat fields enough to grow
There are sunbeams and moonbeams enough to shine
Oh, listen, lord, if you want to know
What the world needs now is love, sweet love
It's the only thing that there's just too little of
What the world needs now is love, sweet love
No, not just for some, oh, but just for ever, every, everyone
What the world needs now is love, sweet love (oh, is love)
What the world needs now is love, sweet love (oh, is love)
What the world needs now is love, sweet love (oh, is love)
the end of the world電影配樂 在 廖人帥 Youtube 的最讚貼文
8個影像軌+21個音效軌+上萬次的細微調整+近50人的努力= 1支完整的影片
這是我們全力為OUTERSPACE即將發表的全新品牌支線
``THE END OF THE WORLD-末日`` 做的努力
敬請期待全新的OUTERSPACE品牌支線!!!
OUTERSPACE太空官網www.outerspace.com.tw
導演
廖人帥
劇本
廖人帥
企劃
李懿格(小格)
製片
吳建龍
攝影
廖人帥 /魏奕旻 /張天城
武術指導
楊志龍
武術助理
林于凱 /林于翔
剪接
廖人帥 /8ID
後期製作
8ID
音效
廖人帥
配樂
潑猴小天
製作協力
OUTERSPACE太空團隊
通告聯絡
樂樂
旁白
星瀚 /潔西
英文劇本翻譯
Duncan Lin
服飾設計
OUTERSPACE
男主角-阿瀚
星瀚 飾
男主角-阿瀚小時候
恩恩 飾
末日群眾
張鈞棠 /張聘忠 /梁峻豪
莊英鉉 /徐國翊 /楊朝凱
葉昀渝 /潘芸亘 /金毛
賴世峰 /鄭諺鴻 /張哲穎
王常禎 /徐鈺棠 /葉長庭
鍾辰亞 /陳焦安
特別感謝
力挺原創設計OUTERSPACE的你們
沒有你們的加入我們將無法完成此次拍攝
沒錯!這部片是我們一起完成的作品
獻給熱血的你們.我們
特別感謝單位
台北市電影委員會
林柏均
潑猴小天
南港瓶蓋工廠
the end of the world電影配樂 在 他媽的世界末日仍在播的歌——以〈The End of the... - Facebook 的彩蛋和評價
他媽的世界末日仍在播的歌——以〈The End of the World〉結束全劇,《The End Of The F***ing World》配樂由Blur結他手Graham Coxon編排。播到末日的歌,原來陳寶珠、 ... ... <看更多>
the end of the world電影配樂 在 [討論] 漫威近期使用英文老歌的用意為何? - movie 的彩蛋和評價
1 F 推lovepork: the end of the world 在女孩向前走也有作為配樂使 11/07 17:20 ... 6 F →eternalsway: the end of world 各种電影用到爛 11/07 17:24. ... <看更多>
the end of the world電影配樂 在 [討論] 漫威近期使用英文老歌的用意為何? - 看板movie - 批踢踢 ... 的彩蛋和評價
從洛基影集意外且驚豔的使用if you love me做為片尾曲
到永恆族大膽的用the end of the world當片中插曲並在預告片主打
漫威第四階段在創新之外又有復古元素
不過這好像就比較少人提到
請問有人知道這用意是什麼嗎?
難道是為了吸引年長觀眾?XD
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